Showing posts with label Revolution Gallery Jamaica. Show all posts
Showing posts with label Revolution Gallery Jamaica. Show all posts

Wednesday, September 8, 2010

Jean Chiang honors 'Mama G' in Revolution Gallery's 'Tea, Glorious Tea' Exhibition



Artist Jean Chiang honors 'Mama G' in the exhibition 'Tea, Glorious Tea' at Revolution Gallery in Jamaica. In the article below, Chiang recalls her memories of Eglantine Melita Buchanan Gordon and discusses the work included in this show.



FROM HANOVER TO MIAMI

“Nothing is so strong as gentleness, nothing so gentle as real strength” St. Francis de Sales (August 21, 1567 - December 28, 1622)

Eglantine Melita Buchanan Gordon came to mind when I heard this quote in May of this year.

I met Mama G in June, 2001, probably during my first show with Rosie Gordon Wallace and Diaspora Vibe Gallery in Miami. Mama G was undeniably the matriarch, wise, warm and welcoming with a beautiful smile, asking everyone to sign the guestbook at DVG openings. Her gentleness and strength were evident to me from the beginning. Only years later, did I find out that Mama G had purchased one of my pieces, Hand, a clay wall piece of my handprint, from that show. I was moved to hear about Mama G’s early support of my artwork.

Mama G with Roy, Rosie’s husband and Gordon, their son, was one of DVG’s staunchest supporters. Through the years, she attended many openings, always fashionably dressed for the occasion, meeting and greeting the many guests and friends. Mama G was a perfect ambassador for the artists and the gallery and we were always happy to have her presence and positive energy.

During the last nine years of working with Rosie and DVG, I saw Mama G countless times at home, sometimes having a meal together; sometimes Mama G was in her room watching her programs, enjoying Jeopardy, American Idol or Dancing With the Stars; sometimes we sat at the dining table with a cup of tea.

I remember having my first cup of ginger tea with Mama G, “good for the digestion”, I was told. I enjoyed our conversations together and I would try to tell Mama G funny stories or incidents to hear her laugh and shake her head at me as if to say, “Are you serious ?!” I’m sure that I told her about the 7’ dancing bear on a leash on the roadside in India or being asked if I was a ninja by an older woman in black on an overnight Greek ferry or being served an entire loaf or “tower of toast” served vertically on a tea saucer in a quick stop Mexican rail station.


In our times together, I knew Mama G to be “a virtuous woman -- dutiful, loyal, generous, faithful and strong” and....gentle. I never heard her raise her voice on any occasion but I knew that she could certainly make her opinions or ideas known without ever doing so. Twenty nine years ago, Mama G came from Jamaica, from Hanover to Miami. Nine years ago, I came from New York to Miami and became a better person for having known Mama G.


From Hanover to Miami is a mixed media work on paper to honor the life of Eglantine Melita Buchanan Gordon ( November 26, 1916 - June 10, 2010 ). Mama G touched so many lives in so many different ways; she will always be remembered and loved.

Many thanks to Carol Campbell and Revolution Gallery for continuing the tradition of Tea, Glorious Tea. This is the fourth year of my participation in the show.

Special thanks to Rosie Gordon Wallace, Roy Wallace, Gordon Myers and family for sharing their beloved Mama G with the world.

Sincere thanks, appreciation and much love to Rosie Gordon Wallace, Patricia Roldan and Diaspora Vibe Gallery for their support of my artwork through the years.



Wednesday, September 9, 2009

Jean Chiang featured in 'Tea, Glorious Tea'



Jean Chiang featured in Tea, Glorious Tea
at Revolution Gallery in Kingston
Aug 27-Sept 26, 2009

maps, tea leaves



Read more about the exhibition here in the Jamaica Observer. Below, Jean Chiang offers her eloquent statement about the show.


READING TEA LEAVES by Jean Chiang

It is believed that the art of tasseography or reading tea leaves began with Buddhist monks. The monks would drink tea to stay awake during long hours of meditation. While meditating and looking into the bottom of an empty tea cup, the monks noticed patterns or symbols and began to “read” tea leaves.


The practice continued through the years and after tea was introduced to Europe, in the 1700’s, high tea in the afternoon, followed by tea parties and reading tea leaves became very popular.

In April, 2008, Rosie Gordon Wallace, Diaspora Vibe Gallery artists including Danny Ramiriez, Rodney Jackson, Erman Gonzalez, Alejandro Contreras, Gordon Myers and I, to name a few, were hosted by Deborah Jack and local artists, Lucinda Audain, Norma Trimborn and others in St. Maarten for the Second International Artists Biennial. Several artists and scholars were also invited, including Irene Peterson of Aruba, Jennifer Schmidt of Curacao, Christopher Cozier of Trinidad and last but not least, Carol Campbell of Jamaica. Imagine my delightful surprise when I was informed that Carol and I would be roommates for a few days !!!

Our artwork was installed at The Cultural Center with assistance by its artist/director Youmay Dormay with artwork by local artists. The opening and workshops on the following days were well attended and enjoyed by all.



Every evening, we would end the day with a group dinner with conversations reviewing the daily events, anticipating the next day, catching up with friends that we hadn’t seen or connecting with new friends we had just met. These evenings were as important as the artwork, the exhibits and workshops during the Biennial.


One evening, we decided to dine in the Chinese resaurant across the street from the hotel, The Prasangrahm or the former Govenor’s Palace. We sat at a large round table, about 12 of us, ordered many different dishes and had a delicious dinner. Of course, Chinese tea was served with the meal. Carol and I were seated next to each other. After dinner and finishing our tea, we noticed the loose tea leaves at the bottom of our cups and indulged in an attempt at tasseography !!! Carol looked at my tea leaves and if I remember correctly, she saw a flying figure. Alright, I thought, I always wanted to fly ! I looked at Carol’s tea leaves and saw a floral pattern, something more decorative than figurative. Carol thought that was agreeable. The evening continued and we enjoyed a few more readings around the table.



The art of tasseography is still practiced widely and taken quite seriously by its followers, using special teas, cups and study of its philosophy. For me, it is another form of meditation, a moment of reflection and insight inspired by a visual form. It is similar to looking at clouds in the sky, at trees and rock formations in nature or even ink blots. A form inspires a thought.



READING TEA LEAVES is a series of 6 canvases, 5” in diameter, painted, beaded and stitched. Three of them suggest green tea with symbols of a spiral or creativity, a horse shoe or good luck and a wavy line or water or purification. Three of them suggest black tea with symbols of a circle with a dot in the center or the sun or energy, diagonal lines or travel and a crescent moon or receptivity.



Many thanks to Carol Campbell, Diane Wright and Revolution Gallery for continuing the tradition of Tea, Glorious Tea. This is the third time that I have participated in this exhibit with special thanks to Rosie Gordon Wallace and Diaspora Vibe Gallery in Miami, Florida.




--Jean Chiang, c.2009






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Saturday, April 18, 2009

The Final Day at Revolution Gallery in Kingston


International Arts Exchange Jamaica Participants



Marlon Hill, Esq., Presenter


Photographer Roy Wallace and Artist Patricia Roldan


Urban Culturalist Jenni Lewin-Turner


Artists Jaquenette Arnette and Danny Ramirez


Rosie Gordon-Wallace and Artist Jaquenette Arnette


Artist Patricia Roldan and Photographer Indygo Williams


Artist Deborah Jack


Artists Carlos Alejandro and Benari Kamau



Artists Andranique Morgan and Nicole Winter


Artist Alejandro Contreras


Photographer Indygo Williams presents Rosie Gordon-Wallace with gift of appreciation


Rosie Gordon-Wallace and Carol Campbell

Tuesday, April 7, 2009

Opening Reception

The Living Sculpture exhibition at Revolution Gallery in Kingston featuring Jamaican artists and Diaspora Vibe Gallery artists:


Beverly Anderson Manley, former First Lady of Jamaica


Norma Harrack, Ceramicist, Faculty Edna Manley College with Rosie Gordon-Wallace



works by Ermán


Ricardo Allicock, former Consul-General to the Southern United States


Eglantine Buchanan Gordon and Ronald Horsham


Carol and Diane



Mazola wa Mwashigadi speaks about his installation at the reception


Mazola wa Mwashigadi's outdoor installation


Musician Gordon Myers


Jean Chiang in front of her work


Petrona Morrison and Rodney Jackson


Rosie Gordon-Wallace and Urban Culturalist Jenni Lewin-Turner


Jacquenette Arnette


Ermán


Danny Ramirez, Marie Segree


Lisa Lindo, Garfield Morgan and Shelley Ann McFarlane




Benari Kamau's painting


Marie Segree in front of her installation


Rosie Gordon-Wallace and Wura-Natasha Ogunji


Rosie Gordon-Wallace, Norma Harrack, Ceramicist, Nicole Winter, Ceramicist, David Dunn, Ceramicist and Faculty, Edna Manley College


Hope Brooks, Artist and Vice Principal Academic and Technical Studies, Edna Manley College and Wura-Natasha Ogunji


Gilou Bauer and Rosie Gordon-Wallace


Eglantine Buchanan Gordon presents Edna Manley College student and ceramicist, Nicole Winter with the inaugural 'Eglantine Buchanan Gordon Scholarship for Excellence in the Arts'.
Also pictured, Marlon Hill, Esq.



Rosie Gordon-Wallace, Petrona Morrison, Annie Hamilton



Photographer Indygo Williams













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